Mahdi Ahmed

Scripting waves of imagination from the sunny side of the Maldives.

HAPPY NEW YEAR, MY FRIENDS

Friday, December 31, 2010.

2330 hrs.

FILMEE UDHARES, MNBC ONE’s weekly program made exclusively for local film industry, aired a 30 second trailer of upcoming SAZAA (PUNISHMENT) scheduled to release on March 29, 2011. Just as the trailer finished, film’s director HUSSAIN MUNAVVARU started receiving several SMS which completely flooded and froze other operations of his NOKIA. He received a record breaking five thousand SMS in space of 83.33 minutes. Once receiving of these SMS subsided, Bank of Maldives called him inquiring about several mysterious transactions flooding in to his account. Even before he opened selling tickets of SAZAA, he has sold out 8 shows. This could go down in to history of any global record books.

I know, I know, some cynics may murmur, ‘duh, in his dreams!’ But you know what? For once, they couldn’t be more right than they know. It was one of the craziest dreams MUNAVVARU had on the New Year’s eve. Guess not a bad way to start 2011 or any New Year for that matter. And it was the craziest joke I heard to start this year.

Happy New Year to all my friends and well-wishers.

Cheers!

LIFT MY SPELL, NEW YEAR

During my month long absence from not posting anything here, I have come to fully comprehend that I desperately need lots of luck for my screenplays that were shelved going in to production anytime soon. Those shelved screenplays which I thought was getting dusted off are sadly, well… getting shelved again.

So what’s all the fuss? What’s going on? I was so hoping that start of next year would be lucky for my shelved screenplays since Fatthaah announced principal photography of LEYKARUNAIN (TEARS IN BLOOD) to begin in early January. Just as I was about to crack in to a full blown smile, unfortunately I have to put that smile on hold, at least for another four to five months. After Fatthaah returned from his much needed family vacation in Singapore, I was informed by him that due to some funding issues, he had to postpone principal photography until mid June. Looks like I am doomed to stay with this shelf curse.

But it’s never the end of the word. On the brighter side of things, SAZAA (PUNISHMENT) is officially scheduled to release on March 29th next year. Director Munavvaru is working 24/7 on the final cut so that he can give a print to Ikram for music. Color grading has been completed by Ted at his Eternal Pictures Studio. Munavvaru has already planned his marketing campaign which kicks start from first week of January. So I’m keeping my fingers crossed. Let’s hope SAZAA is my princess enchanting to lift my shelf curse.

What’s my status on writing MIKOE BAPPA BAEY BAEY (COME MY BABY’S FATHER)? Though it’s disappointingly disappointing, I have made some good progress. How? I have managed to rev up the drama in a way beyond I first imagined in my structure. Last week, I woke up from my sleep at four in the morning, all sweaty and heavy in the head. The magic happened. I re-imagined my screenplay in my sleep. I came down to my laptop immediately and started typing what turned out be silently interesting. I am assuming that the opening of this screenplay when filmed would run no less than five minutes without any dialogues. I have managed to create an intense drama leading up to the point where I am almost done with the first act which carries the story in to the second act very neatly. In the process I have written six interesting scenes in full thirteen pages. Hope I don’t stay stuck at page thirteen for too long. That numeral sounds superstitious.

So why the inconsistency in my writing lately? It’s deliberate. I have taken time off from writing reel life. Now I am busy writing my own real life where I, who plays a playwright and with my queen, together we are arranging our kingdom for the arrival of the ‘special one’. Jose Mourinho? I hope not.

Unofficially, I am getting reports that a draft screenplay, I don’t want to name the title for professional reasons, which was written for a studio which again I don’t want to name for professional reasons, is getting ready to go in front of the camera. Hearing that news made me very unsettling and curious even.

When I submitted the screenplay, I clearly told the head of this studio that it was a draft and once they have a read and based on their feedback, I would complete the final screenplay. That was almost a year ago. Now I want to know wether they are producing my draft or they have re-written it based on the structure of my draft. If so, I just want to know if they have borrowed any much from my structure. If all my thoughts turn true, then it’s very unprofessional but I’d like to believe that this studio is one of the professional production studios actively working in Dhivehi film industry and they would remain professional  in this matter.

Speaking of this issue reminds me that last time I posted my thoughts on a similar issue like this, things rolled in to a snowball.

Before I finish this post though on a sad note, this will be my last for this year. I say happy 2011 to all my friends and lets hope next year brings good health, happiness and more movies to silverscreen. And also my curse gets lifted.

Cheers!

SUBTITLING NIUMA, I MEAN THE MOVIE

Blockbuster of this year, NIUMA will have a special screening somewhere in December, that’s next month. However, only DV production holds the right to announce the screening date. Besides, I don’t even know the exact date. All I know is that it’s on December. And check what else I know. Foreigners working here in Male’ will get to see NIUMA with English subtitles. How do I know all this? You see, the task of subtitling has fallen upon me. This is where I raise my eyebrows in quick successions with a grin.

Anyway, my deadline is before 5th of December. That means, the screening will take place after fifth. So there you go, somewhere after 5th and before 31st of December, NIUMA will be screened. And I also know this much. Screening will not take place at Olympus or Athena, or Star Cinema for that matter. Since it’s going to be special, I’m assuming that the venue will be special too. Have I given away too much?

I took over the subtitling task two days ago. I was given a softcopy in two parts. Yes, two files with a watermark saying my full name, in case I leak it online. But I’m trustworthy. DV Production knows that.

I’m halfway subtitling the first part. Hopefully I will wrap that part tomorrow. While I’m using Subtitle Workshop version 2.51 and wearing headphones, one thing I noticed was that I get to hear even the faintest of sound very clearly. And I must praise music and sound designer, IKRAM for his meticulous work. And oh, speaking of which, I helped IKRAM with the foley. So it was funny to identify how we made a particular sound to a totally different action on screen. Like in one scene where SHEELA lies on a wooden bench with her head on YOOPPE’s lap. She gets up and slides towards him. The sound of her sliding on the wooden bench was created me frisking a squeezed bubble bag slowly on my jeans. Not that funny?

Before I publish this post, here’s an update on SAZAA (PUNISHMENT). Color grading is almost done. That news is straight from TED who is doing the color grading.

Last but not least, today I had a chat on facebook with composer/ producer, THITTHI  who is currently living in Perth. He said ROAD, a supernatural thriller which I wrote, will be green lit once he returns home. He also said that ROAD is his dream project. And for me writing ROAD was a real treat. That’s my first foray in to supernatural thrillers. Thanks to THITTHI, RAVI and ISHEE for convincing me.

With that bit of news, for now, I say cheers!

LEYKARUNAIN CAST REVEALED

FATTHAAH on his facebook status has revealed the shooting date and some of the casting for his upcoming direction, LEYKARUNAIN (TEARS IN BLOOD). That pretty much gives me some license to highlight on the actors he has revealed. As for the shooting date, I have already mentioned which date it is in my last post.

Actor SEEZAN is top billed for the lead role. That’s self-explanatory I guess. Meanwhile in-demand AMIRA and revived SHEELA will play the leading ladies. I don’t see disclosing both these actresses having equal roles spoiling the storyline. But I’m not going to tell which roles they play. Neither FATTHAAH did. But I think both these actresses can chew up their roles effortlessly. FATTHAAH told me that AMIRA is very eager to play her role.

As for SEEZAN, I can say this. His role would fit him like a glove. And speaking of him, it’s funny how I’m kind of in splits to cite him. For some odd reasons, it’s hitting me that I might have to post another apology note. If that sounds too serious, just know that I’m only kidding. So jokes apart, I think SEEZAN will do great. He was pretty youthful in JINNI, his latest collaboration with FATTHAAH. Yes, his role in LEYKARUNAIN requires more youthfulness.

As for the fourth principal role, FATTHAAH in his status has asked us to guess who that actor is. Which means my license to discuss about that actor has expired.

Cheers!

ANOTHER REVISION AND A PRODUCTION DATE

This evening, I finished revising INDHIRAAS (DECADENCE) for DV Production. Since I first started writing it many months ago, I couldn’t help pinning my hopes that INDHIRAAS will be a real crowd pleaser, but if done the way I have written. My hopes are still pinned and I have my reasons.

Firstly, actor MUA guaranteed that he’s going to transform himself mentally and physically like the character I have written which was tailor made for him. Secondly, director BAARU SHAREE, though verbally, agreed to helm and his decision still remains intact when I met him two days ago. Thirdly, producer MUHAMMAA is willing to make this project his number one priority of his production company for next year. Last but not least, the storyline, though violent, is emotional, intensely dramatic and has some neat twist and turns. However, the most important reason which depends on how committed MUA is, I decline to reveal any further. With all these reasons, I don’t see why I shouldn’t pin my hopes or even raise it higher or the highest I can.

Now that I have made huge revisions, the screenplay looks more potent than it did when I first wrote it. I did spend more time polishing the scenes between MUA and his love interest which has now turned more intense, not to mention more flirtatious as well. I really wish I could write more about every single scene I have changed but not without spoiling the story which is tightly kept under wraps.

Currently DV Production is getting ready to officially announce start of production. But this much I know. Production won’t commence before January 2011. Director SHAREE can only free himself for INDHIRAAS after January. Yet pre-production will begin sooner.

Moving on to a different subject, last night director FATTHAAH called me to inform that principal photography of LEYKARUNAIN (BLOOD IN TEARS) will start on, drum roll, 4th January 2011. That’s actually earlier than he first planned. He will officially announce start of production somewhere around last week of December, 2010. He even updated me on casting. Actors for principal roles are almost finalized except for one. He is currently negotiating with a newcomer who was only seen in few video songs that were released recently. More on this later.

I guess that’s all for now. I am pretty excited now that hopefully two screenplays of mine will go under production next year. Then there’s SAZAA (PUNISHMENT) which will be released on 29th March 2011. Still staying with March next year, inshah Allah the biggest excitement of my life will also be released, which is neither a film nor a screenplay.

Cheers!

GONE IN A CLICK

My Kingston 8GB pen drive was infected with an unknown virus yesterday. Suddenly, all the root folders in it changed in to applications. How magical is that? It was my office tech-guy who first brought this to my attention when I asked him to transfer a word file in my pen to a PDF from his PC, since I couldn’t from mine.

Upon discovering the virus, he advised me to do a backup and format my pen immediately. So I hurried back to my PC, did a backup, saved it to my desktop, initiated formatting and left home for lunch.

An hour later, I returned to office, in an usually cool manner sat at my desk and found out my pen was, formatted. However, from then on, what happened next, I haven’t a clue what to call it. After I checked my pen, I saw a little folder called ‘PEN BACKUP’ on my desktop. Thoughtlessly, I moved my mouse pointer over this folder, right clicked and selected delete. Unaware of my stupidity,  more thoughtlessly I then moved my mouse pointer over Recycle Bin, right clicked and selected Empty Recycle Bin. Just as I clicked the left button of my mouse, a white flashed before my eyes. Only then I realized what I really have done. All this happened in less than two seconds. A four lettered word beginning with an F went out of my mouth.

All my screenplays, my ideas for future screenplays and other important files gone with a simple mouse click. The final version of LEYKARUNAIN which I revised recently, gone. Even an almost revised version of INDHIRAAS, gone.

Slowly, sounds of the entire ambiance started fading as I buried my head in to my hands in slo-mo. Then I began to hear a weak sound of my own heartbeat getting louder and louder. I was completely frozen.

A minute passed. Two minutes. Three, four, five, six. Suddenly I stood up from my chair and hurried towards my office tech-guy. Told him the trouble I was in. He said it was possible to recover any deleted files including files deleted even from the Recycle Bin. Without further ado, I made a  silent phew. Immediately he went browsing for a recovery application. I went back to my desk and scorned myself.

While I was scorning myself with all the known swear words I could think of, which was the same four lettered word starting with an F repeated over and over again, fifteen or more minutes later, my office tech-guy came with an application. He installed it to my PC and right away launched it. Meanwhile, I was beginning to notice how cool I was despite being in the thick of the disaster of my life. While the software scanned, my brain scanned for a reason why I was so calm.  I was curious. Too bad my brain was slower than a PENTIUM 286.

Finally, the software completed scanning. My office tech-guy found out that this software recovered all the files deleted ever since birth of my PC. He asked me to select the files I needed, out of close to three to four thousand odd files of various bytes. That was when I dropped my jaw and my eyes popped out, literally. He said it was the only way for the moment until he finds another application.

Defeated, I sank at my desk, looked at the monitor. I thought finding a pin from a haystack would have been easier in comparison. I was in tears. Music goes off key. Wait a minute, this is no tear-jerker. As I wiped my amassing tears, not in large quantities to put a smile on Ian Thorpe or Michael Phelps for that matter, I began to hear an inner voice. First as short bursts of static sound which few bursts later, turned comprehensible. No, I wasn’t becoming schizophrenic. It was a good voice. Like a voice Tom cat from Tom & Jerry fame hears from his right shoulder by a white Tom with wings and a halo over his head. Not that my right shoulder had a similar me. But I heard a mysterious voice telling me to close the application, shutdown the computer and go home since it was also a minute away from going home. I listened and  headed towards home like someone hypnotized. As I strolled down the winding and less winding roads, this voice kept telling me that everything was going to be alright.

When I reached home, the voice instructed me to open the drawer in my sitting room and check all my personal DVDs in there. Hey, guys! Why are you frowning? Don’t you get it? If there were any type of what you all are frowning about DVDs amongst them, would I have heard an angelic voice in the first place?

Anyway, I opened the drawer and started going through the labels on every DVD. MY TELEDRAMAS, PRODUCTION PICTURE DVD 1, PRODUCTION PICTURE DVD 2, DVD 3, WEDDING PICTURES, HONEYMOON PICTURES 2004, VARIOUS TRAILERS and wait a minute! What’s this? PEN BACKUP OCTOBER 2010. It couldn’t be. When did I make a backup? Last month? How come I didn’t know? I clapped my eyelids in slo-mo once. In my hand I have a backup of my pen. It’s really a backup of my pen. I exploded in to a victorious laughter as rousing music started. I hugged this DVD and kissed it so hard that if seen by anyone, would consider me having squeezeaphilia. Whatever that is, it never mattered to me. I was saved. Even up to this point, I was still under hypnosis.

The voice then asked me to open my laptop. I did just that. Then I logged in to Hotmail. Opened my SkyDrive and hallelujah! I did save a file of my recent revisions of LEYKARUNAIN and INDHIRAAS in there. I kissed on my laptop so hard that if seen by anyone, this time would consider me having technophilia. A techno, what? Never mind, I was saved twice. Rousing music peaked and fades to black.

Fade in. I sit here typing this post. It’s the denouement of my episode. Here’s the moral of my story. My friends, stay protected in whatever you do! Yes, including that, now that AIDS is spreading wide or is it wide spreading? You never know what could happen if you are too impulsive. Think twice before you delete. It might be the most important thing or even, person in your life that you are deleting. If it’s latter, then none of the miracle happened to me yesterday would be possible. Presently, all my files are happily copied to my pen. Neither my pen nor the files know what I went through yesterday. Fade out. Credits start rolling.

Cheers!

DONE REVISING LEYKARUNAIN

Okay, I have done revising LEYKARUNAIN (TEARS IN BLOOD) for now until director FATTHAAH has a read and confirms that the screenplay doesn’t need further revising. Like I said in my last post, it’s not a rewrite but a simple revision to necessary scenes, its arrangement and the dialogues. FATTHAAH won’t even realize that I have done anything at all.

I had to revise a total of five major scenes including the climax. Like I said before, these revisions added more power to the development of characters, gave more depth to the relationship between concerned characters and the flow of the whole screenplay was made more smooth.

Even from the first write, I was worried about the climax. It doesn’t rely on a surprise twist ending that I always try to have in my screenplays. LEYKARUNAIN has a more thinking person’s ending where the climax relies on an intellectual chat between two characters I don’t intend to reveal here in case I might accidentally spoil the storyline and face a lawsuit from the producers.

Anyways, I did tweak the climax here and there and now I feel the ending is better and more comprehensive. But I have, I should say readjusted the ending so that if FATHHAAH finds the ending anticlimactic, he can easily re-edit the same ending in a more linear fashion to what I have written in the first write. Yes, I have played everything safe.

Last night, FATTHAAH reported that, someone very close to him has read the first write and concluded the screenplay moving and very touching. Of course, I am delighted. I told him that it’s all up to him now to make this screenplay visually moving and touching. He smiled confidently.

Cheers!

REVISING LEYKARUNAIN

LEYKARUNAIN (TEARS IN BLOOD) which I wrote last year as a directing vehicle for top director FATTHAAH is moving forward. He is scheduling to begin principal photography on either mid or late January next year. That’s like less than two months away.

Currently, FATTHAAH is busy working with his music director on composing the five songs included in the film. He also reports that he is working closely with the lyricist as well on writing the lyrics especially the theme song which progresses the film rapidly and is a major turning point of the story. The way he has described the lyrics and his visuals, I feel that FATTHAAH is more than ready to direct what he does best, romantic-dramas. But consider this movie a tragic-romantic-drama. I have no doubt that he can handle the romantic-drama part with his eyes closed. I’m more interested on seeing how he translates the tragic part to screen. All I can tell is that it has to be visually very intense. And I’m pretty sure he is equal to the task.

For most part of last year and this year, FATTHAAH has been wandering on horror land as a director and as a production manager for some of the horror gigs produced by DASH STUDIO where he is working at presently. He believes that LEYKARUNAIN will show a different visual style he has never undertaken in any of his previously directed films. I am more excited.

Since there’s plenty of time for production to begin and it’s been a while since I have written it, I have told FATTHAAH that I am going to rework on the screenplay. It’s not a rewrite but a simple revising. He does know that if a screenplay is kept for a long time unproduced, it’s always wise to go through it again before production starts. One will always find key areas in the screenplay that either needs to be updated or amended. Time does changes the look and feel of an unproduced screenplay.

Likewise, I have started revising LEYKARUNAIN this morning around four thirty. Weirdly, that’s always been my favorite hour where I find my creativity at highest. I have already completed act one and have so far changed some dialogues and amended three key scenes. Believe me, the revised scenes look great, add more power to the development of characters and give depth to the relationship between the concerned characters. Awesome!

I am hoping that when done revising, I will get my writing groove back so that I can wrap up MIKOE BAPPA BAEY BAEY (COME MY BABY’S FATHER) before that screenplay renames itself as MIKOE WRITER BAEY BAEY (COME MY BABY’S WRITER). That’s why I really have to stop this post immediately and go back to revise LEYKARUNAIN.

Cheers!

THE BLOCKBUSTER I COULDN’T WRITE

I think it was two or three years ago, I was at then FOOD GARDEN, now CHICOS. Is it CHICOS that place is now called? Anyways, it was one of the popular open air fast food outlets at the artificial beach at that time. It was around 1900 hours. I was sitting with DV PRODUCTION head, MOHAMED ABDULLA aka MUHAMMA and most sought after actress, NIUMA MOHAMED. We were all having coffee.

MUHAMMA wanted me to write a screenplay based on a story that was being narrated by NIUMA which was based on true events. After the story, I was feeling pale and found myself gasping for fresh air. The content of the story really sunk me deep down in to the ground. It was really sickening. I couldn’t even finish up the already turned cold coffee that was only sipped once.

MUHAMMA said he was considering NIUMA to direct it and she was physically willing to go through everything that was told in the story. She was even ready to shave her head to stay faithful to the true events about a young girl who was sexually abused by her father.

I told MUHAMMA that I needed all the information and everything they knew about this story written on paper.  We only agreed verbally.

Unfortunately that was the only meeting we had, which three years later, on 25th October 2010 was released as a film called NIUMA, considered a blockbuster before its release and currently showing on Olympus.

So what really went wrong with me not writing NIUMA? Actually, nothing. I would call it bad timing. After the preliminary meeting we had, if I could recall, I heard from MUHAMMA several weeks later to hand over the notes. Unfortunately, I was busy writing another screenplay. Since I was miles away from finishing, MUHAMMA decided to assign popular and always in demand, legendary storywriter, IBRAHIM WAHEED aka BIMMA. His decision couldn’t have been, simply perfect. Rest is history.

After watching NIUMA, I realized I couldn’t have topped the screenplay written by BIMMA. He has given a different perspective than the screenplay I first had in mind. If, mind you all readers, only if I had written it, my take would follow  MUA who tries to win NIUMA, unbeknown of her condition and her mentality.

The audience will get to reveal the skeleton in her closet through his eyes. And since NIUMA despises men strongly, MUA never gets to win her trust until the climax where she realizes that he indeed loves her truly, when he takes matters in to his own hand by killing her father. Love will indeed set you free… by any means.

I can almost see the frown on your face, dear readers. That’s why I’m going to stop this before you all consider me, whatever you want to consider me as.

Cheers!

ONE DAY ON EARTH VIEWED

Today at UN Building, ONE DAY ON EARTH was screened. This little documentary received a warm reception from all the UN staff. The news made my day.

I have nothing more left to say except that I thank my loving wife and SANU from UNDP Maldives  for convincing me to take over the entire production. All the artistes from Dhivehi film industry who volunteered, thank you all so very much.

MUNNAVARU, thanks for convincing KANDI to lens.

KANDI, you did a remarkable job with the flipcam. Your creativity, I cherish.

SANU and her assistants, I wouldn’t hesitate to recommend you guys as a production manager and production assistants respectively any day if you all wish to change your careers in to film making. And yes SANU, you have what it takes to write a script. Now I’m jealous…

My wife, thanks for lending me your ever beautiful voice for narration. You were the only reason for me to helm this. I hope that you do continue to provide your voice for future projects, not just for UNDP but, (whispers) mine as well. Shhh, that’s a secret!

FATTHAH, you were so ready to help me when I needed it. Thanks and I might think of writing a screenplay for you, free of charge. Hang on, hang on… On second thought, how about for a special rate? I have more mouths to feed in future, if you know what I mean.

MUA, you were there with open arms and open doors, to your studio I mean,  when I panicked. I hope I didn’t sound like a cowboy from Brokeback Mountain. Thank you so much for all the help you rendered for the post-production. Awesome, man!

Wait a minute! Did I sound like I have given an acceptance speech after receiving an Oscar or something? See what happens when your day was made.

Thank you all and cheers!