Mahdi Ahmed

Scripting waves of imagination from the sunny side of the Maldives.

LAAPATAA LADIES (2024)

“Lapataa Ladies” (2024), directed by Kiran Rao, is a funny, witty, quirky, and inspiring dramedy that unfolds in the fictional Indian state of Nirmal Pradesh in central India. The story revolves around two brides-to-be, Phool Kumari and Pushpa Rani, who come from different backgrounds. In this state, a deeply entrenched tradition requires newlywed brides to conceal their faces with veils. However, their lives are comically disrupted when they are accidentally swapped on a train journey, thanks to their identical veils.

Brilliantly penned by Biplab Goswami, Divyanidhi Sharma, and Sneha Desai, the film weaves a compelling tale of mistaken identities, subtly embedding a powerful message of female autonomy. Initially portrayed as a timid bride groomed to be subservient, Phool stands in stark contrast to Pushpa Rani, a suspicious woman with a hidden agenda of her own. However, their unexpected exchange becomes a turning point, unearthing their hidden potential and empowering them to break free from societal shackles. This accidental swap becomes a catalyst, compelling them to challenge societal norms and pursue their dreams while inspiring those around them.

The performances are a standout, with Nitanshi Goel as Phool and Pratibha Ranta as Pushpa Rani, delivering exceptional portrayals. Chhaya Kadam’s performance as Majnu Maai, a tea stall owner whose stern demeanor is gradually softened by Phool’s resilience and gentle nature, is particularly commendable.

The strength of this film lies in its ability to empower without resorting to preachiness. Rao’s directorial finesse is evident as she deftly blends humor with poignant moments, celebrating the unbeatable spirit of women. The film succeeds by organically conveying its message of empowerment through the personal growth and humorous yet courageous exploits of its protagonists. It invites the audience to deeply connect with the characters’ journeys of self-discovery and courage to rewrite one’s destiny, making them feel a part of the narrative.

Highly recommended.

P.S. Ravi Kishan as Inspector Shyam Manohar adds a delightful twist to the narrative and enriches the film’s dynamic range. He is an absolute hoot and almost steals the show.

FUREYTHA: From Man to Beast

“Fureytha” presents a bold and unsettling portrayal of societal decay and the individual unraveling of its characters. Set in the crime-ridden streets of Malé City, the movie immerses viewers in the life of an ordinary man who becomes inadvertently embroiled in a gang-related murder. As the protagonist descends into a maelstrom of violence, the film paints a bleak and harrowing picture of a society trapped in its own web of injustice and brutality. Through its unflinching exploration of the darker aspects of human nature and the dire consequences of societal neglect, “Fureytha” confronts viewers with an uncompromising reflection of the precarious state of our society. The raw and daring portrayal of the protagonist’s journey serves as a poignant reminder of the fragile line between order and chaos, challenging audiences to contemplate the fragility of civilization and the consequences of forsaking societal well-being.

Ahmed Tholal, the screenwriter, has demonstrated exceptional finesse in his handling of the intricate narrative landscape in his inaugural solo endeavor. With compelling and incisive prose, Tholal intricately illuminates the pressing and convoluted issue of lawlessness and the prevailing influence of gang culture within our societal fabric. The movie deftly intertwines themes of power, impunity, and the unwavering quest for justice into its tapestry, skillfully prompting audiences to introspect upon the profound and weighty challenges that afflict our collective existence.

Sharaf Abdulla delivers a truly mesmerizing performance as the tortured protagonist, Hussain. He flawlessly portrays a man at war with himself, caught in a storm of violence. The layers of his character unfold through tender interactions with his son and ex-wife, adding a profound emotional depth to the film’s narrative. Sharaf’s ability to express the internal conflicts and external struggles of Hussain is simply exceptional. His portrayal captivates the audience, drawing them into the complexities of Hussain’s world. From subtle nuances to powerful moments, Sharaf’s performance leaves a lasting impression, making him a standout in the film and a talent to watch in the industry.

The portrayal of Ravee Farooq as Zulal, the antagonist, is truly a masterpiece. His performance delves deep into the complexities of the character, presenting a chilling and multi-dimensional depiction that challenges viewers to contemplate the nature of evil. Through Ravee’s masterful portrayal, the audience is compelled to consider whether Zulal’s actions are a product of his environment rather than an inherent evil within him. This adds a thought-provoking layer to the character, sparking conversations about the factors that shape individuals’ behaviors and choices.

Moreover, Ravee’s nuanced portrayal seamlessly weaves into the broader canvas of the film, complementing the skilled strokes of the cinematographer, Ahmed Zifaaf and the director, Ali Shifau. The synergy between Ravee’s performance and the visual storytelling elevates the overall impact of the film, creating an immersive experience for the audience. As the character of Zulal unfolds within the narrative, it becomes evident that Ravee’s dedication to portraying the complexity of the antagonist has contributed significantly to the depth and richness of the storytelling.

Shifau’s directorial prowess is on full display throughout the entire film, demonstrating a keen ability to capture the raw turmoil and underbelly of Malé City in equal measure through the lens of Zifaaf. Each frame is meticulously crafted to convey the complex emotions and depth of the characters, truly bringing the narrative to life. The visual storytelling is as compelling as the gripping plot, immersing audiences in a world that is as fractured as it is frightening. With a masterful blend of visual and narrative elements, the movie ensures a captivating and unforgettable cinematic experience.

Since “Fureytha” received an 18+R rating, it’s important to understand that the inclusion of violence and profanity in this film serves a specific purpose within the narrative. By fearlessly embracing these elements, the film creates a raw and unfiltered portrayal of the realities it seeks to explore. This bold artistic choice not only underscores the authenticity of the storytelling, but also serves as a powerful tool for emphasizing the film’s core message. Nevertheless, it’s crucial to recognize that such explicit content may potentially alienate more sensitive viewers, given its unapologetic nature. This juxtaposition of boldness and potential alienation exemplifies the complex balance that filmmakers often navigate when choosing to incorporate controversial elements in their work.

In conclusion, “Fureytha” is a magnificent piece of cinematic artistry that intricately weaves together a compelling narrative with profound themes. It delves into the heart of societal issues with a delicate touch, compelling viewers to engage in thoughtful reflection. “Fureytha” is an eloquent example of how cinema can serve as a medium for both entertainment and enlightenment, challenging its audience while leaving a lasting impression. Its nuanced exploration of complex topics is a testament to the potency of storytelling in sparking meaningful conversations and fostering a deeper understanding of the world around us.

P.S. While the fight sequences are thrilling, the dance between Sharaf and his son is heartwarming and adds a touch of tenderness to the film.

GOODBYE GIRLFRIENDS

I found myself caught in a bittersweet whirlwind of emotions as I typed the words “END OF SEASON 2” on the last page of the twelfth episode of the hit series, Girlfriends. A wave of feelings swept over me, the result of two months of immersing myself in the lives of Zila, Shamla, and Firushan.

Their flat became like a second home to me, their joys and struggles etched in my mind. Season 2, a year and a half after the first, explored the intricate webs of their fates.

Zila’s ascent in the architecture world was haunted by the ghosts of her past, a tribute to her unbreakable resilience in the face of old scars. Shamla, now a sound engineer for a Dhivehi film, faced her own labyrinth of difficulties, including the unresolved hurt and a new relationship fraught with its own challenges.

Firushan became the key that linked their stories, adding richness and nuance to the plot. His battle with a dark secret and his involvement in Zila and Shamla’s lives added a touch of intrigue and mystery.

Each episode unraveled against the colorful scenery of Male’, exposing secrets, pain, love, and finally, healing. It was a story about the human spirit’s amazing ability to bounce back, the bravery to face inner demons, and the lasting power of friendship.

Writing Season 2 was a deeply personal journey, filled with moments so moving that they brought tears to my eyes. As I reflect, my heart is filled with gratitude for Munko, the series creator, and Saaji, the producer, for giving me this captivating story. Their unshakable faith in my writing has been a fountain of constant inspiration and support.

As I say goodbye to Season 2, my eyes look forward to the dawn of Season 3, if destiny permits it to be. Until then, I send my best wishes to the cast and crew who are working hard to make it a reality.

RUGYAH: CRAFTING SHADOWS INTO ART

A Serendipitous Beginning

About three days ago, I received an exciting request from Mua, the director of the captivating short film ‘Rugyah’ which was aired on Raajje TV on 23 April 2021. He approached me for assistance in providing subtitles for the movie, as he plans to submit it to an upcoming Indian film festival. This opportunity sparked a rush of memories, taking me back to the incredible journey we embarked upon, from the birth of the idea to its final manifestation on the small screen.

Inception of a Vision

Our journey commenced in early March of the same year when Mua had a remarkable vision for a Ramadan special on Raajje TV. His unique idea was to create a horror screenplay, but with a twist – the production had to be relatively simple and confined to minimal locations. Our brainstorming sessions were filled with intensity, and it was during one of these sessions that inspiration struck me. I stumbled upon an online news article featuring a local island’s scandalous ‘Rugyah’ scam, and its gripping narrative potential immediately captivated me.

The Birth of ‘Rugyah’

Writing the screenplay for ‘Rugyah’ turned out to be a whirlwind experience. In merely four days, I had a draft ready for Mua, who was genuinely thrilled with the outcome. However, casting came with some unexpected hurdles, especially when it came to finding child actors within the tight time constraints we faced. It was during this challenging period that Mua came up with a brilliant idea – to reshape the cast and introduce two real-life sisters, Azza and Rishmy. This ingenious move brought a captivating new dimension to the narrative, as their personal history of reconciliation added depth and authenticity to their on-screen portrayal of sisters Zee and Adhila.

Unfolding the Tale

The revised plot now revolved around Zee and Adhila, both trapped in a house, desperately fighting for freedom from Adhila’s manipulative husband, Easa, and the enigmatic character of Usman, a rogue spiritual healer. What unravelled before the audience was a bone-chilling tale of manipulation, torture, and survival, intertwined with supernatural beliefs. By the end of March, I wrapped up the final rewrites, and in April, Mua delved into the production phase.

Mua’s Directorial Brilliance

Mua’s directorial skills proved to be nothing short of brilliant. Despite the demanding production schedule of two weeks – one for filming and another for post-production – the quality of the film remained uncompromised. His steady and innovative direction respected both the story and the actors, ensuring that ‘Rugyah’ was a riveting watch from start to finish. Mua’s exceptional ability to choose the perfect camera shots transformed the 58-minute film, set entirely within the confines of an apartment, into a visually captivating masterpiece. I must mention one scene, in particular, where Zee is forced to scrape food into a bin while a famished Adhila helplessly watches on, which left a profound impact on the audience.

Immense Pride and the Continuation of Creativity

As I hand over the completed subtitles, I feel an overwhelming sense of pride in having been part of the ‘Rugyah’ journey. The stellar performances delivered by the cast were truly remarkable, but it was Mua’s visionary direction that effortlessly showcased their incredible talents. His skill in maintaining engagement and conveying deep meaning through cinematography served as a testament to his artistic brilliance. And now, as he hints at a new project on the horizon, it seems that our creative journey is far from over, with the ball now in my court. ‘Rugyah’ was more than just a film; it was a remarkable voyage filled with creative challenges, constant adaptation, and ultimately, triumphant success.

AN INGILI REUNION

A decade has gracefully glided by since the glorious unveiling of “Ingili” on that unforgettable 16th of May in 2013. The devoted team, whose unwavering commitment birthed this cinematic gem, etching its name in the annals of history by clinching an international accolade for a Dhivehi film for the very first time, reunited today at the Film Festival for the Sake of Humanity. As the lights bathed the hallowed hall of the Olympus Cinema, our cherished creation graced the screen, reigniting the same enchantment that had enthralled audiences years ago.

It was a heartwarming reunion, a nostalgic journey, as our entire team rallied once more, transporting us back to the days when we valiantly battled through a myriad of production challenges. We reminisced about those moments of uncertainty and the immense pride that surged within us when, against all odds, we unleashed our creation for everyone to witness.

Our versatile director Ravee, the exceptionally gifted cast, led by the indomitable Mua and Ismail Rasheed, our brilliant maestro of melodies, Ikram, the visionary behind the camera, Munawwar, and our ever-dependable Production Manager Sofee, all united in celebration on this special day. The film itself, I am thrilled to declare, has not lost an ounce of its impact over the years; if anything, it has grown more poignant and captivating with time.

My heart overflows with gratitude for the entire team for their enduring dedication, as we persist in leaving our indelible mark on the tapestry of the film industry, fueled by our boundless passion and creativity. Here’s to many more years of triumph and unforgettable memories. Let us once again dare to make a bet! 🎥🌟🍾

Team Ingili

REUNITED WITH MY GIRLFRIENDS

After an agonizing 2 years, 0 months and 7 days hiatus, I’m finally back with my Girlfriends – no, not the kind you’re thinking, but the hit web series I penned for Orkeys Inc. that streamed on MediaNet. It just got a green light for season two, and I will be teaming up again with the genius series creator, Munko, to dish out another 12 episodes of pure awesomeness.

Our fab trio – Zila, Shamla, and Firshan, brilliantly portrayed by Mye, Aisha, and Sharif – are back in town. This season, they’ve packed up and moved to a brand-new apartment. Expect even more drama, adventures, and daily life face-offs. Not to mention, a cocktail of intriguing (and a bit menacing) old and new characters!

Quick brag: I’ve already penned down episodes one and two, and the first episode’s shoot? Done and dusted! Can’t wait to sneak a peek at the rough cut.

Alright, I think I’ve rambled on enough for now. Time to dive back into the world of my Girlfriends. Catch you on the flip side! Cheers! 🥂

A GO-DOWN AND A FAMILY OF CATS

It feels like it’s been a gazillion years since my last post. So much has happened, but honestly, my aging brain has swallowed most of those memories. Luckily, the few projects I recently wrapped up are still clear as day in my cluttered mind.

Let’s rewind to last year when I triumphantly completed GUDHAN for the brilliant folks at Orkeyz studio. This intense thriller was a 12-episode web series, produced exclusively for the Baiskoafu streaming platform. Six strangers chilling at a massage parlor when the police decide to crash the party. Cue the chaos! They make a daring escape through a secret window, only to find themselves trapped in a sketchy go-down. Talk about being caught between a rock and a hard place. Inside those four walls, tensions rise, and things get downright ugly.

As if that wasn’t enough, I ventured into uncharted territory and penned my very first cartoon series. Titled MIYO?, this whimsical creation served as an awareness campaign by the Ministry of Gender, shedding light on gender-based issues in our society. And guess what? It was another collaboration with the wizards at Orkeyz. MIYO? features a community of feline characters, and boy, did it strike a chord! The reviews poured in, and now there’s even talk of turning this into a full-fledged movie. Meow-velous, isn’t it?

Just three days ago, I put the finishing touches on my latest feature-length screenplay called FUN. Now, I can’t spill all the juicy details, because if I did, I’d be slapped with a lawsuit faster than you can say “spoiler alert.” Suffice it to say, this baby has an interesting concept and revolves around three characters stranded on a mysterious island. Intriguing, right? I must admit, I’m pretty stoked about it.

And guess what? Today marks the beginning of my next big adventure! I’ve started work on an untitled feature for the one and only Hussain Munvvaru. Picture this: drama, drama, and more drama! It’s the perfect recipe for captivating the masses. Hussain and I go way back, having collaborated on his directorial debut, SAZAA, which was a smashing success. We followed it up with DHILAKANI, which didn’t receive the warmest of receptions, but hey, you win some, you lose some. Oh, and how could I forget about our crazy experimental project, INGILI, with him and Ravi? It may have been a commercial flop, but it made history as the first Maldivian film to snatch up an international award. Sometimes you win awards, sometimes you win lessons, right?

Well, folks, here’s to more frequent posts in the future! Stay tuned for more updates and exciting stories from my chaotic yet fulfilling journey.

Cheers!

I MISS MY GIRLFRIENDS

I wrapped up writing the web series, Girlfriends, 12 episodes yesterday. The feeling is indescribable, and my heart is overflowing with emotions. This was not just a project but a journey that left an imprint on my soul, and it was an experience I will forever cherish and hold close to my heart.

From the moment I sat in the first pitch meeting with the series creator, Munko, to the character build-up sessions with the entire cast, I knew this would be special. The concept was simple yet so emotionally charged that I was utterly drawn and immersed in it.

Girlfriends is a story of three twenty-something girls sharing one room, struggling to fulfill their dreams while making ends meet amidst the chaotic city life of Male’. It was a tale of trials and tribulations, heartbreaks and triumphs, and the unbreakable bond of friendship. It was a story that resonated with me on so many levels.

And yet, this was not the first series I have written where the entire series revolves around women. Hinithunvelaashey Kalaa, with fifty-two episodes aired on TVM eons ago, explored the lives of two best friends, girls living on the island of Kelai. While writing Girlfriends, I felt the same intensity and compassion I had for Hinithunvelaashey Kalaa, but a notch above, given that I had to deal with not just two but an array of women characters. And they were tossed into today’s society, which has changed considerably and is fierce and harsh.

I am grateful to Munko and executive producer Saaji for trusting me to write this series to all my heart’s desires. I hope I have delivered to their satisfaction. If only the streamer had given some analytics after premiering each episode. Otherwise, I wouldn’t have bugged them occasionally for feedback.

But my gratitude extends beyond Munko and Saaji. I am indebted to the entire cast, especially the four central characters, for their stunning performances. Zila, Shamla, Hawwa, and Firushan, acted by Ayecha, Myeha, Lahfa, and Sharif, respectively, are mesmerizing. They brought their characters to life in an authentic and heart-wrenching way. They are a treat to watch.

Even the actors in the supporting roles were fabulous. Shout out to Maria, Alam, Axam, Afrah, and the rest of the cast. They all stood out and brought a unique flavor to the series.

And let’s not forget the music. Shahyd Legacy’s composition touched every string of my heart, and it was the beat of the entire series, elevating every scene to another level.

Sami has given this series a striking visual with his lensing, an infectious color with his color grading, and his editing is well-paced. He is a true artist in every sense of the word.

Last, I bow to director Kandi Wisan for his assured direction and for giving this series a completely different visual flair with dramatic undertones. He has squeezed the very best out of every actor, and the result is a job well done.

Girlfriends have been etched deeply in my heart, and I miss writing about them. A few months back, I was making their lives happy, fun, sad, and miserable, sometimes putting them in grave danger. Sometimes I felt a lump in my throat to throw any of them into such emotional turbulence, and I felt that none deserved such treatment.

But that is the nature of storytelling. We create characters, put them through trials, and watch them grow. And that is precisely what we did with Girlfriends

Cheers!

WRITING SEASON 3 OF KARUHAKURU

A day ago, I wrapped up writing season 3 of Karuhakuru, the first Dhivehi sitcom series. In short, I had a blast writing all the 12 episodes.

In season 3, best of all, I weathered all the pressure that I faced while writing some of the episodes. However, unlike the previous seasons, they were few and far between. But most importantly, I was able to resolve them with show creator Munko and producer Saaji with ease. Thus, I delivered each episode right on time to fit the shooting schedule, including a day for table-reads. Shooting getting delayed, postponed, or canceled due to unforeseen reasons was beyond me.

The season 3 revolves around the funny yet the lovable family of Rasheed coping with the impending COVID 19 and the ultimate lockdown doom. It will be easier for everyone to relate to this situation since we are still living with it. But for this family, staying home for too long has comical side effects. Some characters find a new love for unusual things, and Liu and Liz, an infatuation for Mabrouk. For him, who didn’t?

One of the biggest challenges in writing season 3 was the newest addition to the family. Wish I could reveal this character and the actor portraying the role, but I can already see Saaji eyeballing and breathing fire at me. Worry not, Saaji, I am not going to spoil anything here. But I can peel this much, the new addition is no small feet, but yes, I consider the character a baby, but a very live wire baby. This actor inspired me to shift my writing into fourth gear and pedal to the metal.

However, the greatest challenge was to keep Nai, the leading man of the series, in a face mask throughout the entire season. But actor Raufath, playing Naai with OCD gusto, has given an outstanding performance in all the scenes he appeared with only his eyes exposed. I haven’t heard any other actor doing that for an entire season in a sitcom. Awesome!

Lamha, the heart, and soul of this series, has shown how quickly she has grown into her character as Liu. Her comic timing is spot on, and her acting sublime.

When I heard from the set that Aysha, who plays Liz, has improved so much, I was tempted to make her role very demanding. With each episode, I tested her acting chops. And I must say that she has come out with flying colors. Her bitterness over Kuday’s mishap is a testament that she could rip the screen even with her screams.

Rasheed remains the firm foundation of the family holding everyone together. Actor Nazim does justice to his character as he did with the previous two seasons, but this time with a coolness that would make even cucumbers green with envy. Wait, they are already green, no?

The always out of element Zack, played by National award-winning Ayya, shows why he is such a versatile actor. He can fit himself into any glove. But the character of Zack is a snug fit for him. In this season, he discovers a way to stand with neither of his feet touching the ground.

Finally, I can’t imagine anyone else but Afrah taking the role of eccentric Kuday. He is lucky enough to return home from Bangkok. He recommences his misadventures with the Rasheed family. This time he has more stories to tell about Joan. Or is it John? John or Joan, ingeynu?

Karuhakuru will always remain my sweetest writing experience ever. I am looking forward to spend few more seasons with Rasheed and his family. I also feel that I have grown with each and every one of them—my sincere thanks to the entire cast and crew, especially Orkeyz Inc. Yes, that did the trick. I no longer feel the fiery breath of Saaji anymore.

Cheers!

BIGIL (2019) REVIEW

This film is an entertaining mix of crime and sports. It’s engaging, action-packed, fast-paced, funny and dribbles its way to an exciting conclusion.

Bigil, played by Joseph Vijay, is a gifted soccer player whose career comes to a halt due to a tragic turn of events. Years later, he is forced to become the head coach of a women’s soccer team and steers them to their dream of winning the national championship, a feat he missed as a player.

The team comprising of women from impoverished rural areas with the dream of making it big, at first refuses Bigil as a coach due to his criminal life. But he eventually wins their heart and along the way not only earns their respect, but he empowers them on and off the field.

 Like a soccer match, the film has two halves. The first half is an intense build-up to the second half that entirely deals with the soccer team while examining the lives of the key players and tackling timely women related issues.

 Vijay is mesmerizing in a dual role as father and son. The scenes they share are heartwarming and at some point, heart-wrenching. 

Nayanthara as Aasirvatham is Gibil’s love interest. Here, she is not just a pretty face. Her character is pivotal to the narrative. She uses compassion when dealing with situations where Gibil fails, or most men would in general. Also, her comic timing is spot on.

The stories of Anitha and Gayathri performed with aplomb by Reba Monica and Varsha Bollamma respectively as the late inclusion to the team are both moving and inspiring.

It’s writer-director Atlee Kumar who steals the match. In the second half, he creatively puts the protagonist in the backseat and let the remarkable team of women take over to fight their way to victory. It has a rousing finale that made me jump out of my seat. 

The song Singappenney by A.R. Rahman gave me goosebumps. In it, watch for Rahman and Atlee in a cameo.

Though the film has a running time of almost three hours, I couldn’t care less. I enjoyed it thoroughly.

Highly recommended.