Mahdi Ahmed

Scripting waves of imagination from the sunny side of the Maldives.

Posts tagged ‘Mua’

KAMANAA: A Raw Portrayal of Domestic Violence

Kamanaa is a profound exploration of domestic violence and betrayal, a thought-provoking journey skillfully directed by Hussain Munawar. This spiritual sequel to his earlier work, Sazaa, delves deep into the complexities of human relationships, offering a raw, unfiltered portrayal of the often-hidden realities that many women endure.

The narrative centers on Haider, a man who initially appears to be a devoted husband. However, his darker side emerges as he embarks on an extramarital affair with Nora. When his wife, Kamanaa, discovers the affair, Haider’s true nature comes to the forefront, leading to a series of violent and emotionally charged events. Based on actual incidents shared by Rishfa Abdul Samad, the film is both intense and brutally honest, offering a raw portrayal of domestic violence that is as compelling as it is unsettling.

Yoosuf Shafeeu (Youppe) delivers a masterful performance as Haider, seamlessly transitioning from a loving husband to a man driven by dark impulses. His portrayal is chillingly authentic, particularly during moments of intense emotional conflict. Youppe’s ability to convey deep internal turmoil through subtle expressions and gestures is remarkable. In the post-credit scene, he proves why he continues to reign in the Dhivehi film industry.

Mariyam Azza excels in the titular role, portraying Kamanaa with quiet strength and resilience. Her performance is deeply moving, capturing the character’s pain and endurance with sensitivity and grace. Azza’s commitment to the role, including gaining weight and donning a burqa, adds an extra layer of authenticity to her portrayal. Her scenes, particularly those where she grapples with her husband’s betrayal and violence, are filled with raw emotion, making Kamanaa a character who resonates deeply with the audience.

Aminath Rashfa (Asha), as Nora, brings complexity and depth to her character. As the other woman in Haider’s life, she navigates the emotional intricacies of her role with finesse, capturing both the allure and the inevitable consequences of her actions. Her chemistry with Youppe is electric, creating a captivating and unsettling tension.

Mohamed Rasheed as Abbas, Nora’s husband, and Nathasha Jaleel as Zulfa, Abbas’s elder wife, provide strong supporting performances. Rasheed’s portrayal of Abbas is one of quiet dignity, while Nathasha’s Zulfa offers wisdom and stability, grounding the film in moments of intense drama.

Rishfa’s role as the glamour makeup artist and costume designer in Kamanaa is nothing short of transformative. Her keen eye for detail and deep understanding of character development allowed her to craft looks perfectly encapsulating each character’s personality and journey. From the subtle yet impactful wardrobe choices to the meticulously designed costumes, Rishfa ensured that every visual element added depth to the story. Her spot-on casting decisions brought together a cast that embodied their roles, elevating the film’s emotional and dramatic impact.

Mohamed Manik played a crucial role as the dynamic Production Manager of Kamanaa, seamlessly handling the film’s challenging logistics while contributing to the creative process. His expertise in special effects makeup added a layer of realism to the characters, particularly in portraying violence and its aftermath. Additionally, Manik took on the supporting role as Nabeel, a character who earnestly tries to reform Haider, adding depth and nuance to the story. His multifaceted involvement was vital in bringing Kamanaa to life.

Shivaz Abdulla’s cinematography complements Munawar’s vision with carefully crafted shots that enhance the emotional intensity of the narrative. The lighting and framing are particularly effective in highlighting the contrast between the characters’ public facades and their private turmoil.

The sound design by Mohamed Faisal (Fai) is a critical element of Kamanaa‘s success. Utilizing the newly installed 5.1 surround sound system at Olympus Theatre, Fai creates an immersive auditory experience that heightens the film’s emotional impact. Every sound, from the quiet moments of tension to the explosive outbursts of violence, is meticulously crafted to draw the audience deeper into the story.

Ahmed Imthiyaz (Inthi)’s rousing score complements the narrative and underscores the film’s most poignant moments, while Ravee Farooq’s song choreography adds more depth to the relationship of the pairs appearing in each song.

Abdulla Muaz’s work as an editor, CGI artist, and color grader is exemplary, contributing significantly to the film’s overall impact. The editing is sharp and precise, ensuring the narrative flows seamlessly while maintaining the tension and suspense driving the story. The CGI is used sparingly but effectively, enhancing the film’s realism without detracting from its gritty, grounded tone. The color grading is particularly noteworthy, with muted tones and stark contrasts that reflect the bleakness and emotional weight of the story.

Hussain Munawar directs Kamanaa with an unflinching eye, committed to portraying violence in its rawest, most honest form. Munawar’s approach to filmmaking is marked by his dedication to realism. He believes that the only way to confront societal issues like domestic violence is to present them without filters. Kamanaa is a film that challenges its audience to confront uncomfortable truths, making them more socially aware. Kudos to him for assembling the right cast and an effective crew to bring his vision to success.

Last but not least, Ali Shaniz’s unwavering dedication as the producer of Kamanaa is admirable. From pre-production to the final release, Shaniz was deeply involved in every aspect of the film’s journey. His hands-on approach ensured that every detail was meticulously managed, from securing resources during production to overseeing the intricate post-production processes. His passion extended beyond the creative realm as he drove marketing efforts to ensure Kamanaa reached its audience. Shaniz’s relentless commitment is the cornerstone that made Kamanaa a reality.

In short, Kamanaa is a film that does not shy away from the harsh realities of domestic violence. It is a powerful, thought-provoking piece of cinema that challenges its audience to confront uncomfortable truths. The performances, particularly by Youppe, Azza and Asha, bring depth and authenticity to their roles. Hussain Munawar’s direction, combined with the stellar work of his devoted crew, including Muaz’s exceptional editing, visual effects and color grading, makes Kamanaa a must-see film that will leave a lasting impact on its viewers, sparking important conversations and raising awareness about domestic violence.

P.S. Wait for the post-credit scene to witness Azza’s unbelievable physical transformation.

RUGYAH: CRAFTING SHADOWS INTO ART

A Serendipitous Beginning

About three days ago, I received an exciting request from Mua, the director of the captivating short film ‘Rugyah’ which was aired on Raajje TV on 23 April 2021. He approached me for assistance in providing subtitles for the movie, as he plans to submit it to an upcoming Indian film festival. This opportunity sparked a rush of memories, taking me back to the incredible journey we embarked upon, from the birth of the idea to its final manifestation on the small screen.

Inception of a Vision

Our journey commenced in early March of the same year when Mua had a remarkable vision for a Ramadan special on Raajje TV. His unique idea was to create a horror screenplay, but with a twist – the production had to be relatively simple and confined to minimal locations. Our brainstorming sessions were filled with intensity, and it was during one of these sessions that inspiration struck me. I stumbled upon an online news article featuring a local island’s scandalous ‘Rugyah’ scam, and its gripping narrative potential immediately captivated me.

The Birth of ‘Rugyah’

Writing the screenplay for ‘Rugyah’ turned out to be a whirlwind experience. In merely four days, I had a draft ready for Mua, who was genuinely thrilled with the outcome. However, casting came with some unexpected hurdles, especially when it came to finding child actors within the tight time constraints we faced. It was during this challenging period that Mua came up with a brilliant idea – to reshape the cast and introduce two real-life sisters, Azza and Rishmy. This ingenious move brought a captivating new dimension to the narrative, as their personal history of reconciliation added depth and authenticity to their on-screen portrayal of sisters Zee and Adhila.

Unfolding the Tale

The revised plot now revolved around Zee and Adhila, both trapped in a house, desperately fighting for freedom from Adhila’s manipulative husband, Easa, and the enigmatic character of Usman, a rogue spiritual healer. What unravelled before the audience was a bone-chilling tale of manipulation, torture, and survival, intertwined with supernatural beliefs. By the end of March, I wrapped up the final rewrites, and in April, Mua delved into the production phase.

Mua’s Directorial Brilliance

Mua’s directorial skills proved to be nothing short of brilliant. Despite the demanding production schedule of two weeks – one for filming and another for post-production – the quality of the film remained uncompromised. His steady and innovative direction respected both the story and the actors, ensuring that ‘Rugyah’ was a riveting watch from start to finish. Mua’s exceptional ability to choose the perfect camera shots transformed the 58-minute film, set entirely within the confines of an apartment, into a visually captivating masterpiece. I must mention one scene, in particular, where Zee is forced to scrape food into a bin while a famished Adhila helplessly watches on, which left a profound impact on the audience.

Immense Pride and the Continuation of Creativity

As I hand over the completed subtitles, I feel an overwhelming sense of pride in having been part of the ‘Rugyah’ journey. The stellar performances delivered by the cast were truly remarkable, but it was Mua’s visionary direction that effortlessly showcased their incredible talents. His skill in maintaining engagement and conveying deep meaning through cinematography served as a testament to his artistic brilliance. And now, as he hints at a new project on the horizon, it seems that our creative journey is far from over, with the ball now in my court. ‘Rugyah’ was more than just a film; it was a remarkable voyage filled with creative challenges, constant adaptation, and ultimately, triumphant success.

OF LILY AND VENGEANCE

Since first of this month, I have been out of town and on vacation with my family, thus my short absence from posting anything at all. It was a well spent three nights at Lily Beach Resort and Spa, thanks to my sister for taking us with her. Her job at the mentioned resort’s main office comes with such rewarding benefits. A career change did cross my mind fleetingly. But I’m sure I’d be fired the very next day for spending too much time away from my job, most probably typing out my next screenplay under the shades of the coconut palms at the fringe of the long stretch of white sandy pristine beach that gets caressed slowly by the soothing waves generated from the crystal clear blue sea, with the help of the wind that is. And then there’s my pina colada by my side, which of course is non-alcoholic. Brownie points I do seek.

During the entire trip when my son was walking on anything but the sand which was like the whole resort had a full infrastructure of sandy roads and beach all around except for the wooden deck of the open air restaurants and the room we stayed in, I was busy shooting with my Nokia N8. And at times I shot while carrying my son who I knew wanted to give me some tips on handling the camera but then decided it was best to do it when he grows up and when I’m too old and unable to refute him. He had that look, you know? Anyway, I will be compiling a music video of this trip just like the one I did when my family including my sister’s took a trip to Island Hideaway in August this year. All in all I always do a music video of all my family trips.

Soon after we returned home on Tuesday, I met with Ravee at L’Aquila that evening. But before we sat down for a coffee, we met actor and editor, Abdulla Muaz and reconfirmed his commitment to do the color grading of INGILI (Finger). He asked us to drop the film’s project at his studio at our earliest.

Mohamed Ikram, music composer and sound designer of INGILI joined us while Ravee and I were having coffee. Ikram didn’t order a coffee though. He went for some kind of newly promoted fruit juice in a can.

Last night, my wife and I started watching the second season of SPARTACUS titled SPARTACUS: VENGEANCE. We didn’t mind filling our eyes with blood, gore and sex straightaway. Without those elements, there’s no SPARTACUS. Speaking of whom, we felt that Liam McIntyre as the replacement of Andy Whitfield looked too young like in the very first episode Mira tries to put some sense into his thick skull by telling him that they needed a leader not some angry boy who can barely piss without splashing everyone. That sums up our new Spartacus. But I have faith in Liam and I’m sure he’d make Andy proud as he will set his feet firmly on the character as the season progresses.

I guess for the very reason, the first two episodes of the second season which I have seen so far were crafted wisely, as the narrative of both episodes delves deeply into other characters especially Glaber and Oenomaus respectively.

And then there’s Lucretia. I almost sprung out of my seat to see her returned and give enough reasons for my wife to frown. Her appearance really was a joyous surprise. She’s like a phoenix to be reborn from the ashes. And to see Ashur reappear as well at the end of the second episode felt that the much needed evil is once again restored. And to realize that he and Lucretia are scheming together mean that everyone around them are in for a real treat. Can’t wait to find out what they are up to.

Cheers!