Ingili | Mahdi Ahmed

Posts tagged ‘Ingili’

I AM SPARTACUS

I am Spartacus! Not really. But those were the powerful words yelled by, yes, Spartacus, the man himself after stylishly and not to mention bloodily disposing six Thracians at the end of episode seven of season one. If I were to deliver the same line, to start with, I wouldn’t have survived a second stepping into the sand and sandal period he was in. The blood and the violence are just too much my single packed belly can take.

Even if the violence was removed, still my existence there would be futile. With all the sex Spartacus gets to perform and watch, no way I’m going to sleep on the couch and sign divorce papers the very next day. Like Spartacus feels about his long lost love and reuniting with her, I couldn’t imagine my life without my family. I’m not going to do anything to hurt them. In short quick cuts with muffled laughter and really emotional music, I am seeing moments I spend with my beloved wife and my son. They are all that I hold dear in my life. So unlike Spartacus making a mistake of going to war even when his wife begged him to stay in the pilot episode, I’m going to stay as myself with my family. End credits roll with sweeping music.

Now, what was that all about? Looks like I’ve been pretty hooked into this series. Addicted would be a better word to describe my new few found love in Spartacus. With each episode, the plot twists and turns unexpectedly and the layers of all the characters keeps peeling off. But this thought of Andy Whitfield’s demise still haunts me. I’m going to miss him once season one ends. But somehow I will continue watching and finish what he started.

Moving from reel life to real life, the teaser trailer of DHILAKANI (Fire Sparks) is shaping up very coolly. I have no right to speak more on this. Director Hussain Munavvaru is also working on animating the title. To do this, he commissioned visual effects expert, Ahmed Shinan. Last night, I saw a rough preview and I must say Shinan has really brought life and meaning to what the title suggests with fire sparks surging out from the enflamed letters, DHILAKANI. Simply awesome!

In the meantime director Ravee Farooq is busy finalizing the score and sound design of INGILI (Finger) with music composer Mohamed Ikram. Hopefully in no time, they will wrap up everything. A new trailer is on the way.

That’s all I have for now. Can’t wait for tonight to watch the eighth episode of Spartacus. I may not be him but in my imagination I am him. So hear me scream, I-AM-SPARTACUS. Cough! Cough!

Cheers!

QUICKLY AND BRIEFLY

Here’s a quick and a brief update since my last post.

First off, Ali Shifau Chippe has completed the editing of all the wrapped up scenes of DHILAKANI (Fire Sparks). But director Hussain Munavvaru still has 8 major scenes to shoot including some footage for the song. He first scheduled to shoot them this November but postponed it to mid-December due to few schedule clashes with some of the cast.

In the meantime, Munavvaru will sit with Chippe to bring changes to the already completed rough edit. After that I only get to see a preview. But all this has to be done by tomorrow. Chippe leaves to India on Tuesday for no less than 2 weeks.

The unofficial pre-production of EMME MANZAREH (Just One Scene) resumed yesterday at L’Aquila. Ravee and I mostly discussed on the visual style that will be used. And we also discussed on how to shoot the murder scene since it requires shooting from three angles. Ravee will begin storyboarding as soon as he finalizes the score of INGILI (Finger) with Ikram. He was supposed to meet him on Friday night. But Ikram was bedridden with high fever that night. He still is. I wish him a speedy recovery.

On the feedback of EMME MANZAREH, I’m yet to hear from Nadeem and my niece. But on his Facebook status, my writing partner, Ahmed Zareer updated yesterday that he has read the screenplay. And he simply loved the twist. Though he didn’t mention anything about the narrative, all I know is that no one can love a twist if not for a good buildup and meticulous foreshadowing in the narrative. Zareer also said that he doesn’t have anything to say except few suggestions. I love suggestions. That’s why I’m hooking with him over a coffee sometimes this afternoon.

Also on EMME MANZAREH, during the completion of its first write, I spoke with Hussain Munavvaru on producing it. But I later felt that his entire focus needs to be on DHILAKANI and he still has 8 important scenes to complete, I changed my mind when Dark Rain Entertainment (DRE) hinted on producing it. While also in the negotiation stage with DRE, I mentioned about the screenplay to Ibrahim Nifar Thitthi, co-owner of Antharees Production, incase DRE declined. Thitthi was also interested on producing. But I’m glad that DRE honcho Mohamed Ali Moger sealed the deal almost immediately.

Well, that’s all for the time being.

Cheers!

AN UNOFFICIAL PRE-PRODUCTION

Though Dark Rain Entertainment (DRE) honcho Mohamed Ali Moger has verbally agreed on producing EMME MANZAREH (Just One Scene), Ravee and I have already started working on an unofficial casting for the film today. We both want fresh faces and have come up with some names. Ravee has already contacted one potential actor who he thinks is suitable for the role of one of the central characters.

Meanwhile Ravee and I have also started discussing all the scenes of the screenplay individually. When translated to screen, Ravee too wants the visual to be faithful to the vision of Ahmed Nadeem on whose short story the screenplay is based upon. But most attention will go to the key murder scene where it is shown in three angles. Each angle is the beginning of the three respective acts of the screenplay.

I’m yet to hear the feedback from Nadeem, my niece and my writing partner, Ahmed Zareer.

In other news, Ravee will sit with Ikram tomorrow night to finalize the score of INGILI (Finger). The film’s three producers, Ravee, Hussain Munavvaru and I held a meeting today to discuss on the releasing date. We are still waiting for the completion of the renovation of Olympus Cinema, as if the entire nation has just one cinema. Well, sort of.

Cheers!

VERBALLY AGREED

When Dark Rain Entertainment (DRE) honcho, Mohamed Ali Moger requested for a read of EMME MANZAREH (Just One Scene) just as soon as I updated my Facebook status on completion of the first write, I knew he had an ulterior motive. It was too obvious he wasn’t just planning on reading it and strain his eyes. So without asking any questions, I emailed him a copy immediately. But due to his health at that time, he was unable to read it. And while he was indulging himself with chicken soup and cold tablets, I started work on rewriting the screenplay and completed it a day ago. Even when I emailed a copy of the rewrite, Moger was still feeling unwell. So on his behalf, senior editor and cinematographer of DRE studio, Ali Shifau Chippe read the rewrite and gave it two thumbs up. He really liked the nonlinear narrative and especially loved the ending which took him by surprise.

Last night, I spoke with Moger over the phone and he has come to a decision, thus revealing his intention. He has verbally agreed to produce EMME MANZAREH and appointed director Ravee Farooq to helm it. This is going to be another addition to the series of production deals Ravee and I have with DRE. First one was MIKOE BAPPA BAEY BAEY (Come My Baby’s Father) or in short, MBBB. Once again Ravee’s production company, R Squared and mine, T for 2 Production will be associating with DRE. Principal photography has been tentatively scheduled for early February 2013. Chippe will be taking over cinematography.

Ravee and I have also agreed to produce with DRE the final installment of our two characters/ one location trilogy. We already have a cool title to it but will unveil it later. The plot will have two female characters at one location. Ravee and I produced the first installment, INGILI (Finger) independently with Hussain Munavvaru.

I’m yet to hear from Nadeem, Ravee and my niece on the feedback of EMME MANZAREH rewrite. I have also asked my writing partner, Ahmed Zareer to have a read. Hopefully on Sunday I’ll be getting all the feedbacks. Nadeem has already read the first half and thought it was splendid. I’m hoping he feels the same for the rest of the rewrite.

Last night I watched the edited scenes of DHILAKANI (Fire Sparks) since my last visit to the studio few weeks ago. Director Hussain Munavvaru was also present. After a bit of hiccups in few scenes when I last watched the rough edits, the creativity of director Munavvaru comes strong when the narrative demanded solidity and restraint. The entire cast turns on strong performances and yet again veteran actor Roanu Hassan Manik who was recently awarded with a honorary lifetime achievement shield for performing in theater and films, chews up all the scenes he appears. The man is a true legend. Another actor who shines in her role is Rashfa. Copee Issey remains consistent throughout the scenes I have seen so far. And Mohamed Manik also does an admirable job as a lovelorn politician.

Well, that’s all I have for this post. Until another update I say… what I have to say afterwards is in next line.

Cheers!

REWRITTEN

A day before the scheduled deadline, I have completed the rewrite of EMME MANZAREH (Just One Scene Manzareh) this evening. But that doesn’t mean it’s been wrapped up for good. Sometimes a rewrite gets rewritten several times. Screenplays are all about rewriting over and over again. The more it’s rewritten, the better and solid it gets. However, I will be clattering my keyboard, only if I get additional comments from Ahmed Nadeem, on whose short story the screenplay was based upon. I feel it’s my duty to remain faithful to his vision.

Soon after the completion, I emailed a copy to Nadeem, Dark Rain Entertainment (DRE) honcho, Mohamed Ali Moger and director Ravee Farooq. And there’s one more. I also emailed a copy to a niece of mine. She’s been a regular at commenting all of my indie screenplays. And she has this mysteriously remarkable way of looking in to minor details within my screenplays.

The changes I brought to the rewrite were many. First there was the inclusion of psychedelic visuals and extended some scenes to give a psychedelic mood. The major addition was the music like montage for the progression and eventual deterioration of the relationship between the three central characters which I first outlined yesterday. But today when I started writing that sequence, I felt something was missing. It didn’t bridge. Then I rewrote the compiled montage as full scenes and bingo, they looked more solid, supported the development of the characters and I was able to empathize more with them.

I even incorporated the three songs of Gianscore that Nadeem mailed me yesterday. Using them in the actual film will be up to the producer but the film will have psychedelic songs even if those songs were replaced in case a deal didn’t work out with the band.

That’s all about EMME MANZAREH. Shifting to other news, I met with DHILAKANI (Fire Sparks) editor, Ali Shifau Chippe last night at L’Aquila. He said he’d be completing the editing of the already shot scenes by today since he has to leave to India tomorrow to be with his father who has been hospitalized. My prayers are with his father.

I haven’t been able to watch any of the editing done since my last visit to the studio. Director Hussain Munavvaru is out of town, in Maafushi to shoot another installment to his beloved franchise, KUDAFOOLHU. He will return tomorrow morning including Ravee who I think directed the whole episode.

I’m also eagerly waiting for Ravee to return. He will then sit with composer Mohamed Ikram to finalize the score for INGILI (Finger). I had lunch with the Ikram this afternoon. He confirmed that he will only need just two days with Ravee. Guess that’s all I have for this post.

Cheers!

A ROUSING MUSIC

Late last Monday evening on the first floor of Seagull Cafe, I was with Mohamed Ikram, the music composer and sound designer of INGILI (Finger). By the time I drank the last drop of my burgundy, it was tasteless and colorless. But the rain outside has finally subsided. So did the cork shaped ice cubes which were completely filled in my tumbler glass when I first poured the syrupy reddish burgundy.

At Ikram’s recording studio, I was given a private screening to listen to now almost done music and sound designing of INGILI. For reasons not to spoil the movie, I’m going to be very brief and frank on the experience I had after the show. It was simply terrific. It was moody and for me, the most stimulating music Ikram has done so far. I’m not saying this because I’m a co-producer and the screenwriter of the film. I’m saying this because Ikram has really done a terrific job both with the music and the sound design.

In short, the music of INGILI can be compared to the human sexual response cycle. It may sound funny but that’s exactly how I felt.

The music starts off with a little bit of teasing just like the excitement phase of the cycle. The music carefully drew me in to the proceedings while in the film the mysterious character of Mua slowly drew the down on luck character of Copy Issey in to a dangerous psychological game. Mua indirectly explores the weaknesses of Issey and offers him a simple bet, though dangerous, which is impossible to refuse.

Once Copy Issey agrees to the bet, Mua thus begins a game of cat and mouse. Ikram masterfully heightens the music as Copy Issey slowly begins to question his decision. This is the plateau phase and the music builds up to a stirring finale.

With the ensuing drama, the music soars to a tension filled peak and exploding at the climax. Yes, it’s the orgasmic phase. This is where Ikram really shows his creativity at orchestrating the music for both characters. He maintains it for a while before dropping to the resolution phase. It left me breathless and I was sweating profusely despite the cold weather outside and the chilliness of the aircon inside.

But lo and behold! INGILI comes with multiple climaxes. The tribute Ikram has given to a classic tune in the final twist of the film is exhilarating. But of course this feeling can only be felt for those who can figure out which classical tune it is. Ravee and I know. So does Ikram.

With the above mentioned comparison, who would want to complain over such a rousing music that lasts for seventy five long minutes? All I know is that it’s gratifying than music lasting prematurely for three minutes.

Cheers!