Posts tagged ‘Ikram’


Since first of this month, I have been out of town and on vacation with my family, thus my short absence from posting anything at all. It was a well spent three nights at Lily Beach Resort and Spa, thanks to my sister for taking us with her. Her job at the mentioned resort’s main office comes with such rewarding benefits. A career change did cross my mind fleetingly. But I’m sure I’d be fired the very next day for spending too much time away from my job, most probably typing out my next screenplay under the shades of the coconut palms at the fringe of the long stretch of white sandy pristine beach that gets caressed slowly by the soothing waves generated from the crystal clear blue sea, with the help of the wind that is. And then there’s my pina colada by my side, which of course is non-alcoholic. Brownie points I do seek.

During the entire trip when my son was walking on anything but the sand which was like the whole resort had a full infrastructure of sandy roads and beach all around except for the wooden deck of the open air restaurants and the room we stayed in, I was busy shooting with my Nokia N8. And at times I shot while carrying my son who I knew wanted to give me some tips on handling the camera but then decided it was best to do it when he grows up and when I’m too old and unable to refute him. He had that look, you know? Anyway, I will be compiling a music video of this trip just like the one I did when my family including my sister’s took a trip to Island Hideaway in August this year. All in all I always do a music video of all my family trips.

Soon after we returned home on Tuesday, I met with Ravee at L’Aquila that evening. But before we sat down for a coffee, we met actor and editor, Abdulla Muaz and reconfirmed his commitment to do the color grading of INGILI (Finger). He asked us to drop the film’s project at his studio at our earliest.

Mohamed Ikram, music composer and sound designer of INGILI joined us while Ravee and I were having coffee. Ikram didn’t order a coffee though. He went for some kind of newly promoted fruit juice in a can.

Last night, my wife and I started watching the second season of SPARTACUS titled SPARTACUS: VENGEANCE. We didn’t mind filling our eyes with blood, gore and sex straightaway. Without those elements, there’s no SPARTACUS. Speaking of whom, we felt that Liam McIntyre as the replacement of Andy Whitfield looked too young like in the very first episode Mira tries to put some sense into his thick skull by telling him that they needed a leader not some angry boy who can barely piss without splashing everyone. That sums up our new Spartacus. But I have faith in Liam and I’m sure he’d make Andy proud as he will set his feet firmly on the character as the season progresses.

I guess for the very reason, the first two episodes of the second season which I have seen so far were crafted wisely, as the narrative of both episodes delves deeply into other characters especially Glaber and Oenomaus respectively.

And then there’s Lucretia. I almost sprung out of my seat to see her returned and give enough reasons for my wife to frown. Her appearance really was a joyous surprise. She’s like a phoenix to be reborn from the ashes. And to see Ashur reappear as well at the end of the second episode felt that the much needed evil is once again restored. And to realize that he and Lucretia are scheming together mean that everyone around them are in for a real treat. Can’t wait to find out what they are up to.



I am Spartacus! Not really. But those were the powerful words yelled by, yes, Spartacus, the man himself after stylishly and not to mention bloodily disposing six Thracians at the end of episode seven of season one. If I were to deliver the same line, to start with, I wouldn’t have survived a second stepping into the sand and sandal period he was in. The blood and the violence are just too much my single packed belly can take.

Even if the violence was removed, still my existence there would be futile. With all the sex Spartacus gets to perform and watch, no way I’m going to sleep on the couch and sign divorce papers the very next day. Like Spartacus feels about his long lost love and reuniting with her, I couldn’t imagine my life without my family. I’m not going to do anything to hurt them. In short quick cuts with muffled laughter and really emotional music, I am seeing moments I spend with my beloved wife and my son. They are all that I hold dear in my life. So unlike Spartacus making a mistake of going to war even when his wife begged him to stay in the pilot episode, I’m going to stay as myself with my family. End credits roll with sweeping music.

Now, what was that all about? Looks like I’ve been pretty hooked into this series. Addicted would be a better word to describe my new few found love in Spartacus. With each episode, the plot twists and turns unexpectedly and the layers of all the characters keeps peeling off. But this thought of Andy Whitfield’s demise still haunts me. I’m going to miss him once season one ends. But somehow I will continue watching and finish what he started.

Moving from reel life to real life, the teaser trailer of DHILAKANI (Fire Sparks) is shaping up very coolly. I have no right to speak more on this. Director Hussain Munavvaru is also working on animating the title. To do this, he commissioned visual effects expert, Ahmed Shinan. Last night, I saw a rough preview and I must say Shinan has really brought life and meaning to what the title suggests with fire sparks surging out from the enflamed letters, DHILAKANI. Simply awesome!

In the meantime director Ravee Farooq is busy finalizing the score and sound design of INGILI (Finger) with music composer Mohamed Ikram. Hopefully in no time, they will wrap up everything.  A new trailer is on the way.

That’s all I have for now. Can’t wait for tonight to watch the eighth episode of Spartacus. I may not be him but in my imagination I am him. So hear me scream, I-AM-SPARTACUS. Cough! Cough!



Here’s a quick and a brief update since my last post.

First off, Ali Shifau Chippe has completed the editing of all the wrapped up scenes of DHILAKANI (Fire Sparks). But director Hussain Munavvaru still has 8 major scenes to shoot including some footage for the song. He first scheduled to shoot them this November but postponed it to mid-December due to few schedule clashes with some of the cast.

In the meantime, Munavvaru will sit with Chippe to bring changes to the already completed rough edit. After that I only get to see a preview. But all this has to be done by tomorrow. Chippe leaves to India on Tuesday for no less than 2 weeks.

The unofficial pre-production of EMME MANZAREH (Just One Scene) resumed yesterday at L’Aquila. Ravee and I mostly discussed on the visual style that will be used. And we also discussed on how to shoot the murder scene since it requires shooting from three angles. Ravee will begin storyboarding as soon as he finalizes the score of INGILI (Finger) with Ikram. He was supposed to meet him on Friday night. But Ikram was bedridden with high fever that night. He still is. I wish him a speedy recovery.

On the feedback of EMME MANZAREH, I’m yet to hear from Nadeem and my niece. But on his Facebook status, my writing partner, Ahmed Zareer updated yesterday that he has read the screenplay. And he simply loved the twist. Though he didn’t mention anything about the narrative, all I know is that no one can love a twist if not for a good buildup and meticulous foreshadowing in the narrative. Zareer also said that he doesn’t have anything to say except few suggestions. I love suggestions. That’s why I’m hooking with him over a coffee sometimes this afternoon.

Also on EMME MANZAREH, during the completion of its first write, I spoke with Hussain Munavvaru on producing it. But I later felt that his entire focus needs to be on DHILAKANI and he still has 8 important scenes to complete, I changed my mind when Dark Rain Entertainment (DRE) hinted on producing it. While also in the negotiation stage with DRE, I mentioned about the screenplay to Ibrahim Nifar Thitthi, co-owner of Antharees Production, incase DRE declined. Thitthi was also interested on producing. But I’m glad that DRE honcho Mohamed Ali Moger sealed the deal almost immediately.

Well, that’s all for the time being.



Late last Monday evening on the first floor of Seagull Cafe, I was with Mohamed Ikram, the music composer and sound designer of INGILI (Finger). By the time I drank the last drop of my burgundy, it was tasteless and colorless. But the rain outside has finally subsided. So did the cork shaped ice cubes which were completely filled in my tumbler glass when I first poured the syrupy reddish burgundy.

At Ikram’s recording studio, I was given a private screening to listen to now almost done music and sound designing of INGILI. For reasons not to spoil the movie, I’m going to be very brief and frank on the experience I had after the show. It was simply terrific. It was moody and for me, the most stimulating music Ikram has done so far. I’m not saying this because I’m a co-producer and the screenwriter of the film. I’m saying this because Ikram has really done a terrific job both with the music and the sound design.

In short, the music of INGILI can be compared to the human sexual response cycle. It may sound funny but that’s exactly how I felt.

The music starts off with a little bit of teasing just like the excitement phase of the cycle. The music carefully drew me in to the proceedings while in the film the mysterious character of Mua slowly drew the down on luck character of Copy Issey in to a dangerous psychological game. Mua indirectly explores the weaknesses of Issey and offers him a simple bet, though dangerous, which is impossible to refuse.

Once Copy Issey agrees to the bet, Mua thus begins a game of cat and mouse. Ikram masterfully heightens the music as Copy Issey slowly begins to question his decision. This is the plateau phase and the music builds up to a stirring finale.

With the ensuing drama, the music soars to a tension filled peak and exploding at the climax. Yes, it’s the orgasmic phase. This is where Ikram really shows his creativity at orchestrating the music for both characters. He maintains it for a while before dropping to the resolution phase. It left me breathless and I was sweating profusely despite the cold weather outside and the chilliness of the aircon inside.

But lo and behold! INGILI comes with multiple climaxes. The tribute Ikram has given to a classic tune in the final twist of the film is exhilarating. But of course this feeling can only be felt for those who can figure out which classical tune it is. Ravee and I know. So does Ikram.

With the above mentioned comparison, who would want to complain over such a rousing music that lasts for seventy five long minutes? All I know is that it’s gratifying than music lasting prematurely for three minutes.